The Word Alive

Queen City Productions is proud to present:

The Word Alive

Phinehas

Friday, June 30, 2017

7:00 pm

Outland Ballroom

$16.00 - $18.00

This event is all ages

The Word Alive
The Word Alive
A full-length debut is a pivotal moment for most bands, but for Phoenix, AZ natives the Word Alive, it's a battle-tested triumph. Considering the countless miles the band has traveled since their 2009 EP release, Empire, and the obstacles the six-piece has had to overcome along the way, every track of Deceiver pulsates with the passion and fury of a conquering army, and is the very definition of "shock and awe."

After traveling to Ocala, FL to record with up-and-coming producer Andrew Wade (A Day To Remember, VersaEmerge), The Word Alive resurfaced from the studio armed with debut album Deceiver, a challenging, genre-bending opus that fully showcases the considerable abilities of one of heavy music's true rising talents. Mastered by Alan Douches and featuring guest performances by Dave Stephens from We Came As Romans and Levi Benton of Miss May I, the album offers fans all that they love about The Word Alive and so much more.

The Word Alive truly made their impact in 2009 when they released their debut EP Empire, which sold more than 20,000 copies and spent time on Billboard's "Heatseekers" chart. Quickly winning over listeners with its scorching musicianship and singer Tyler "Telle" Smith's hyperkinetic vocals, the EP set the stage for an even deeper, more innovative full-length to follow.

"On Deceiver, we wanted to take everything that we did on the EP and boost it times ten," says Smith. "We got to do everything that we feel represents us on this album. In some parts it sounds like you could almost be listening to an ambient/indie band because of the electronic influences, in other parts it's dark and almost creepy. We spent a lot of time before writing the album thinking of how we could sample other instruments to really add depth—either keyboard parts that Dusty [Riach, keyboardist] would do, or cello, violins and different percussion instruments.

"One thing's for sure," Smith adds. "On this album, when we're heavy, we're way heavier."

A major difference to note among Deceiver's blistering instrumentation is the hefty contributions of new drummer Justin Salinas, formerly of My Children My Bride and Scars of Tomorrow. With Salinas now in the fold, TWA is ready to take on the world.

"Deceiver is not a concept album, but it's got a lot of heavy theme stuff that goes along with the title," explains Smith. "Over the past year, we've gone through some big changes, and we poured those experiences into this album."

The group kept the road ever-present in mind when writing much of Deceiver, knowing that massive touring would be in the immediate future. Their intense touring schedule in support of the album has included a summer run on Warped Tour 2010, as well as tours with Bleeding Through, A Day To Remember and Underoath. 2011 is poised to be their biggest yet, with U.S. and European tours with We Came As Romans and a full summer on Vans Warped Tour, followed by a slot on Soundwave Revolution in Australia and a U.S. run for the fall.

"We really wanted it to be an experience when you come to our show," says Smith. "What I think a lot of musicians forget is that people are paying to be entertained. With this album we definitely thought of the live show, and how we could make every fan, or even a person who's never heard of us, think, 'Man, it sounded like there were 15 people up there, and it was just awesome.'"

The Word Alive's debut album Deceiver is available now. The Deceiver: Deluxe Edition featuring two new tracks, remixes and videos is also now available digitally.
Phinehas
Phinehas
Utter and complete reinvention isn’t the only way to destroy boundaries. Oftentimes, the
most invigorating renewal in any particular community comes not from a generation’s desperate search for some sort of unrealized frontier, but from a reverence for the strength of its foundation. The steadfast metal fury of PHINEHAS is focused, deliberate,

and unashamed. Across three albums and two EPs, the Southern California quartet has
proven to be both herald of the genre’s future and keeper of its glorious past.

The New Wave Of American Metal defined by the likes of As I Lay Dying, Shadows Fall,
Unearth, All That Remains, Bleeding Through, and likeminded bands on the Ozzfest
stage and on the covers of heavy metal publications has found a new heir in PHINEHAS. Even as the NWOAM owed a sizeable debt to Europe’s At The Gates and In Flames and North America’s Integrity and Coalesce, PHINEHAS grab the torch from
the generation just before them. The four men of mayhem find themselves increasingly celebrated by fans, critics, and contemporaries, due to their pulse-pounding brutality.

Make no mistake: PHINEHAS is not a simple throwback. PHINEHAS is a distillation of
everything that has made the genre great since bands first discovered the brilliant results
of combining heavy metal’s technical skill with hardcore punk’s impassioned fury.

SEAN MCCULLOCH has poured his heart out through his throat with decisive power, honest reflections on faith and doubt, and down-to-earth charm since 2007.

Drummer/backing vocalist LEE HUMERIAN has powered the band with momentous thunder since the following year. Bassist BRYCE KELLY and guitarist DANIEL GAILEYcame later, forging a foursome in the spirit of the sledgehammer-like delivery of Pantera.

The band’s modern interpretation of a now classic but criminally underrepresented sound achieves new creative heights with Till the End. The group’s third album is theirfirst for Artery Recordings, home to scene kingpins Attila and Chelsea Grin. The mid-2000s style stomp of “My Horses Are Many” (watched by over half a million people on
YouTube) and “I Am the Lion” from thegodmachine (2011) melted seamlessly into the molten lava-like Southern metal groove of “Blood On My Knuckles” from The Last Word is Yours to Speak (2013). A hint of that Lamb Of God-type flavor persists on Till the End (particularly in “Coup de Grâce”), but PHINEHAS is now even more ambitious than ever.

The searing sing/scream combo akin to their buddies in Haste The Day collides with a bigger-than-before shred-tastic technicality from Gailey, who brings his considerable chops as a former guitarist for Becoming The Archetype into the established PHINEHAS stew with stunning results. Matching the monster riffs and brutalizing drumming pound
for pound in passion, McCulloch doesn’t mince words when attacking the polarizing
hypocrisy of many American Evangelicals. “How can you love a God you cannot see / when you hate your fellow man standing in front of me?” he bellows in “Dead Choir,” one of the album’s most aggressive but melodic tracks. “You’re a liar and a fake,” he declares, before reminding fellow believers: “Without Grace we would all be dead.”

Elsewhere on the album, PHINEHAS mine the esoteric intelligence of Thrice, while
maintaining a consistently heavy, catchy, and often wonderfully complex density.

Standouts include “Tetelestai” (“It is Finished” in Greek) and crowd favorite “White Livered,” which features guest guitar work from Dominic Dickinson of Affiance. An acoustic intro gives way to guitar sweeps and brutal but hopeful vocals in “Till the End,” which closes the album with a repeated refrain of, “Live free or die / Till the end.”

A commitment to personal, professional, and musical excellence; an urgent calling to share hope, faith, and unconditional love with the masses; a relentless hunger to
connect with diverse groups of people all around through their music and their message

– these are the things driving PHINEHAS. Whether on tour with bands like For Today, Close To Home, War Of Ages, and Sleeping Giant; at events like New England Metal & Hardcore Festival and South By So What; or on a showcase with Beartooth, PHINEHAS will share their catharsis with the broken, the searching, and the hurting, Till the End.
Venue Information:
Outland Ballroom
324 South Ave
Springfield, MO, 65806